Item details
Item ID
SG1-009
Title Traditional marriage ceremony with Sulka tubuan dancers
Description Bride Price Feast Ceremony with Sacred Tubuan Susu Mask Dancers for the marriage of Paul and Eriba Tevlone.

In collaboration with Cultural Consultant, Paul Tevlone, see below.

The video file contains recording of a bride price feast and singsing at Mlolio village in the Kilalum/Guma Ward of East Pomio LLG, ENBP in 1989. The normal and standard structure of the feast, and for that matter any feast, would be over a three (3) day period.
On the first day, which is called “kotek orom o-oll” meaning the display of food, where all the contributing parties and relatives on both sides (ie; bride & groom) would make public the quantity and amount of raw food (taro, kaukau, yam, etc.) that will be exchanged for sharing on the third day of the three day event or feast. The food would be displayed in a single along one side of the center of the village and sometimes secured in round fences. Refer to photos. The number of heaps of food on display will also indicate how many recipients from either side will participate in the main ceremony on the 3rd day of the feast. On this day also, the tumbuan(s) is in its last stage of preparation and its symbolic voice(s) and calling will be frequently heard from its secret location of residency.
On the second day which is called “ngailonpik” meaning day before the main event. On this day several significant things will happen. A number of pigs will be killed, cooked or “mumued” and shared. The people or recipients of the cooked pigs or pork indicate to the public that they will play some sort of a major role the next day during the main event. The “ngailonpik” indicate that the tumbuan will be fed for the last time before its appearance in public the next day, and it (tumbuan) is now in a dress rehearsal mood for the next day. Also, in the night of the ngailonpik, the Mgaieng singing and dancing will take place till day break, and the last of the pigs will be tied up and brought from where ever to the place and location of the feast ready to be slaughtered the next day. And, final preparation by both sides is in full swing.
On the final and third day, after the night Mgaieng singing has stop, the day kicks off with pigs from both sides being assembled and prepared for slaughtering and cooked (mumued) in hot stones by the men. The ladies/women prepare the taro, kaukau, yam, etc for mumu in hot stones. Fires are lit and the whole village is turned into a ring of fire. Once the food and pigs have been put into the hot stone ovens, attention is turned to the preparation for singsing and tumbuan dancing, etc. This takes place round about three o’clock in the afternoon to about five o’clock. Then followed by the bride price payment and sharing of food, and by six o’clock the crowd of spectators, visitors and participants have all been dismissed with food (cooked & uncooked), cooked pork & uncooked live pigs, etc.. and the bride’s relatives share the bride price payment, which would normally comprise food (cooked & uncooked), pigs (cooked & live), lalap, shell money, currency money, etc.

(Paul Tevlone, August 2021)
Origination date 1989-01-01
Origination date free form
Archive link https://catalog.paradisec.org.au/repository/SG1/009
URL
Collector
Steven Gagau
Countries To view related information on a country, click its name
Language as given Sulka
Subject language(s) To view related information on a language, click its name
Content language(s) To view related information on a language, click its name
Dialect Sulka
Region / village Kilalum, Pomio, East New Britain Province

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Originating university
Operator
Data Categories song
Data Types Sound
Discourse type singing
Roles Various - Anonymous Various - Anonymous : participant
Steven Gagau : data_inputter
Paul Tevlone : compiler
Paul Tevlone : consultant
Paul Tevlone : participant
Eriba Tevlone : participant
DOI 10.26278/zh7v-v762
Cite as Steven Gagau (collector), Various - Anonymous Various - Anonymous (participant), Steven Gagau (data_inputter), Paul Tevlone (compiler, consultant, participant), Eriba Tevlone (participant), 1989. Traditional marriage ceremony with Sulka tubuan dancers . MP4/MXF. SG1-009 at catalog.paradisec.org.au. https://dx.doi.org/10.26278/zh7v-v762
Content Files (2)
Filename Type File size Duration File access
SG1-009-01.mp4 video/mp4 1.33 GB 00:18:36.200
SG1-009-01.mxf application/mxf 7.07 GB
2 files -- 8.39 GB -- --

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Collection Information
Collection ID SG1
Collection title Sulka Pomio Culture Recordings
Description Since 2014, I have been visiting Kilalum village, a rural coastal community along the south coast in the Wide Bay area of East Pomio in the Pomio District of East New Britain Province, Papua New Guinea. The village and surrounding areas is occupied by the Kaimun clan of the Sulka Tribe, one of the ethnic Papuan language groups on New Britain Island surrounded by other Austronesian language groups on the island. In the subsequent years, I became interested and got motivated by the conversations about culture preservation with the Chief and traditional leader of the Kaimun clan and its group of elders within its sub-clans of the Sulka Tribe who live in the Wide Bay region along the south eastern coastline of the Province. The Sulka tribe occupies an area located in between other ethnic tribal groups called the “Mengens” to the south, the “Bainings” to the north and the “Tomoip” to the west inland areas. The Sulka tribe is made up of two (2) mother clans being Kaimun clan and the other as the Masra clan with Kaimun as the biggest clan in terms of population and area coverage. The Kaimun Clan leadership had started an initiative before I made contact with them to undertake a study or a documentation project in their attempt and effort driven by their desire for the cultural preservation and maintenance for intergenerational knowledge sharing and transfer within the Sulka tribe and its various clans. The primary focus was on the history of where the Sulka tribe originated from, how they settled and migrated to where they are today, its tribal clans’ structure and social organisation, how its cultural practices and systems, traditions, customs and society practices such as customary laws, rituals and sacred society came to being and the external influences of missionaries and colonisation to the Sulka people. From the 1970s’, there has been mixed collection from various sources of cassette audio and video tapes, photos, textual information of mixed content in traditional stories, history, life histories, traditional and present day customs/culture, missionary and colonisation history, music (song and dance – traditional and contemporary) and other general life or events stories. From the 1970s’, there has been mixed collection from various sources of cassette audio and video tapes, photos, textual materials and interviews of mixed content in traditional stories, history, life histories, traditional and present day customs/culture, missionary and colonisation history, music (song and dance – traditional and contemporary) and other general life or events stories. This collection is a contribution towards the preservation of general cultural knowledge of Sulka tribe and efforts to documenting the Kaimun clan.
Countries To view related information on a country, click its name
Languages To view related information on a language, click its name
Access Information
Edit access
View/Download access Mae Carroll
Data access conditions Open (subject to agreeing to PDSC access conditions)
Data access narrative
Metadata
RO-Crate Metadata
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